At West Point Academy in 1830, the calm of an October evening is shattered by the discovery of a young cadet's body swinging from a rope. The next morning, an even greater horror comes to light. Someone has removed the dead man's heart. Augustus Landor—who acquired some renown in his years as a New York City police detective—is called in to discreetly investigate. It's a baffling case Landor must pursue in secret, for the scandal could do irreparable damage to the fledgling institution. But he finds help from an unexpected ally—a moody, young cadet with a penchant for drink, two volumes of poetry to his name, and a murky past that changes from telling to telling. The strange and haunted Southern poet for whom Landor develops a fatherly affection, is named Edgar Allan Poe.

CUSTOMER REVIEWS (Average Customer Rating: 4.0 based on 57 reviews)

Fine Novel of Detection Set at West Point in 1830

The Pale Blue Eye, Louis Bayard, $24.95 hardcover, $14.95 softcover, 432pp., Harper Collins, 2006.

At West Point Academy in the autumn 1830 a cadet commits suicide by hanging. While being stored in an icehouse the dead man's heart is removed. West Point neighbor and retired NYC policeman, Augustus Landor is asked by academy adminstrators to discreetly investigate. At risk is the academy's fledgling reputation. Landor enlists the aid of cadet E. A. Poe. Yes, that E. A. Poe who was indeed a West Point cadet at that time. The New Yorker and the Virginia are certainly a different Holmes-Watson pair of investigators.

Landor has his sorrows; both his wife and his daughter died soon after relocating from New York City to the Hudson River Valley. Superintendent Thayer has his priorities. Poe has his metaphors and insider inforamtion on the student body. The trio find themselves confronting a second murder and mutiliation. Clues, codes, and cults are examined and psychological suspense ensues. This reader suspended his disbelief in due time but also found a few outlandish developments that made him wince. But, Bayard's delightfully executed period prose and details were thoroughly enjoyable and returned this reader to his required disbelief. The meticulously described historical setting, the young Poe's literary inspirations, and Lander's veiled confessions provided incentive to bear with the slightly preposterous intrustions from the 1980s, such as the possiblity of a Satanic cult. These intrusions are rare and the plot does not hinge upon them.

Overall, The Pale Blue Eye is enjoyable because the plot hangs together, and the characters of Landor, Poe and Thayer are well described and compelling. The details of Benny Haven's Tavern and West Point's dining and residence halls appear accurate. The main detraction is a cinematically overwrought climax which fortunately is not the conclusion of the novel. Poe is not only a poet but a detective and uncovers the policeman's secrets at the very end.
December 31, 2008

Anything but pale

Let me preface this by saying that I'm not an avid reader of mystery novels in their pure "detective" form. I've read most of Sherlock Holmes. I've also read numerous "juvenile" mysteries over time (Hardy Boys and the like). I've also read numerous short stories including the "first" detective story, "The Murders in the Rue Morgue" by E.A.Poe.

That said, I'm a big fan of a good mystery that really puzzles and gets you pondering. I've also always been a good fan of Poe and the themes and tones in his stories. So, on reading the "back of the book" blurb for "The Pale Blue Eye", I knew I had to read it.

Writing Style
The writing style in this book was phenomenal. Many will claim that it's too wordy and over the top, but I personally felt it was a fairly good homage to early 19th century literature and to the literature of Poe. The language used was well crafted and flowed wonderfully. Even at the moments when the pacing was slow and the text dragged a bit, there were intriguing turns of phrase that gave me a grin.

The flowery verbosity of Poe was humorous at times and felt a little too constructed at moments. This is, after all, an earlier version of the Poe with which we are all familiar and while it's true that much of his style may have remained unchanged, there were bits that left him seeming aged beyond his years. Granted, this was possibly intended since the many trials of Poe's life did create the pensive and morbid Poe responsible for the writings we have today...and who's to say that he wasn't already deeply entrenched in that persona during his time at West Point.

Characterization
As I mentioned, the Poe character felt perhaps a bit too stylized and pat, but generally speaking I found him to be a very full and intriguing character. Distancing him from the historical Poe and just using him as a fictional character, he stands on his own. His main inconsistency seemed to be the struggle between the morbid, brooding Poe and the head-over-heels-in-love Poe. These character traits didn't reconcile well within him and left me a little disconcerted.

Although I do have some complaints about the Landor character, I'll to address later (hopefully without spoiling the ending too much). His character has had a troubled life as well and that angst carries over into his mannerisms and dialogue. I rather enjoyed Landor's character and had a lot of fun being inside his head for most of the novel. I would really enjoy seeing perhaps a spin off series outlining some of his New York cases (although that would put him pre-troubles, so he might not be as interesting)

Many of the other characters were less full but they weren't quite flat. The West Point faculty and cadets that we interact with were each imbued with their own personalities, though sometimes these overlapped more than I would have liked. I often found myself confused between Hitchcock and Thayer, for example. Doctor Marquis and his family were also well crafted but felt a little hollow behind the facade. Patsy was another intriguing character who I felt was actually better crafted than some of the other primary players despite her character being relatively minor.

Still, I was very impressed with the characterization work done in this novel and applaud Bayard his efforts in fleshing out a full cast of characters.

Story/Plot/Pacing
My wife Lynette is a more avid mystery reader than me, so I'm eager to get her perspective on this. But with my level of mystery reading and my enjoyment of 18th and 19th century literature left me thoroughly enjoying the story line and having a lot of fun with the way it played out.

The pacing was slowed down perhaps a little too often by overreaching internal monologue. The pace definitely picks up as you near the end of the story...so much so that the last hundred pages raced by. The speed of the last section of the book was almost too fast when compared with the rest of the novel.

As with any mystery novel, I was playing along with the detective and trying to solve the crime before he did. Bayard appropriately threw out plenty of red herrings and extraneous details to muddle the waters, but he also kept the primary suspects in the forefront and made sure the reader was aware of them. While I had made the appropriate jumps and deduced the criminal before Landor explicitly acknowledged his theories (and was put in imminent danger in their vicinity), I felt a little obtuse for "figuring things out" only slightly before Landor revealed his findings.

And now for the potential SPOILER. I'll try to keep it spoiler free while also voicing my annoyance.
I really enjoy twists and turns in a novel, especially a mystery novel. It's great fun to be proven wrong. However, the degree with which this novel twisted was a little too extreme. Let's just say that in the climatic confrontation with the murderer, my eyes kept drifting to the page number and wondering why there were still 30-40 pages left in the book even though everything was about to wrap up.

I thought that perhaps the author would just become more verbose and would spend 30 pages rambling through the resolutions with minor characters.

I was very wrong. While there was a degree of "resolution" to be had, that wasn't the reason the novel was over. The novel continued so the author could raise the curtain on another aspect to the mystery that hadn't even been hinted throughout the novel. Our expert narrator Landor had obscured from the reader every possible key point that could have allowed a reader to guess at the "true" ending of the book.

I really enjoyed the conclusion and found the capstone to the story to be an intriguing and fun ending. What I didn't like was the feeling that I had been so painstakingly manipulated by the author & narrator. As one of my creative writing professors mentioned when talking about the mystery genre: "The reader wants to feel as smart or smarter than the detective. If the reader feels stupid or duped, s/he won't leave happy." I still left happy...but I left feeling a little cheated.

Overall
I would heartily recommend this book to any fan of a good mystery or of late romantic or gothic era literature from the 18th and 19th centuries. The descriptions and characterizations are exquisitely presented through wonderful use of language. The intrigue and details of the mystery are very entertaining and engrossing and make for an immersive read. My one caution would be to those of a more squeemish nature. The climactic confrontation scene is a bit gruesome. I physically shuddered at one of the descriptions. It wasn't much more gruesome than something from a prime time CSI or Law & Order show, but it was definitely a bit over the top considering the rest of the novel.

Still, if you're a fan of Poe, mysteries, or early American literature, I think you'll enjoy this dark mystery.

****
4 stars
December 04, 2008

Great characterization of Poe

Just finished reading The Pale Blue Eye by Louis Bayard... it's a novel set in the early 1800s at West Point. It's a whodunnit with a narrator that is similar to a retired Sherlock Holmes. But, to assist him with the mysterious murder at West Point, he enlists the help of a cadet, Edgar Allen Poe.

I have to say that my love of Poe's literature drew me to the book, and in that respect, I found some great joy in finding little snippets and allusions to Poe's various works. Bayard definitely took the time to create Poe and the time period with an immense care for details and vocabulary. At a few times, I was wary of the use of Poe as a character and of Bayard's book being stilted by forcing allusions to Poe's literature. However, Poe actually became a very realistic character in the pages; I grew to love how Poe would quote literature, compose poetry, and tell outlandish lies.

One allusion did irk me; it used a major plot point to pay homage to a part of "The Fall of the House of Usher," and it did not feel cohesive to the plot of Bayard's story. Along those lines, a few points of the plot were questionable... the author kept a few secrets too long, which was a strength and weakness to the book. Some reviewers were so thrown that they ended up hating the story, and some ended up loving it. I think I fall in between--not loving the book, but genuinely enjoying many parts of it.

Overall, I have to say that I enjoyed reading this. It would probably not be my first book to recommend, except of course to a few select people... some mystery readers or Poe afficianados. I'll probably read his most recent book, The Black Tower, at some point in the near future. For now, I am still lingering over parts of the book and enjoying that glimpse into gothic 1800s.
November 28, 2008

Magnificent mystery book, beautifully written

It's not often you find an author who can write so well. Not only does Baynard keep all the balls in the air in this one--he keeps you guessing to the end, and his characters are wonderful--but he goes even beyond that.

One of the characters is Edgar Poe, and he manages to make Poe sound just as if you imagine he might, whereas the other characters actually speak in a manner quite different from Poe and perfectly in tune with their individual background and natures.

And who would have thought anyone could make West Point seem so spooky?

In fact, from the first page to the last, this is one you will enjoy.
November 12, 2008

Recommended

Very well written and terribly clever. Certainly cleverer than me: the ending took me totally by surprise. Yet it felt exactly right.

On the whole, a very satisfying read.
November 10, 2008

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