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Singing in Style: A Guide to Vocal Performance Practices


by Martha Elliott

List Price: $20.00
Price: $18.00
You Save: $2.00 (10%)
Available: Usually ships in 24 hours
Sales Rank: 224103
Studio: Yale University Press
Binding: Paperback
Number Of Pages: 368
Publication Date: July 01, 2008
Publisher: Yale University Press


EDITORIAL REVIEWS

Product Description
The first historical overview of vocal performance practice and style ever published, Singing In Style provides an introduction to how such issues as ornamentation, vibrato, rubato, portamento, articulation, tempo, language, and accompaniment with period instruments have been handled since the seventeenth century. Each chapter presents a historical period and gives background information on the singers and composers, the vocal repertoire, and the stylistic conventions of that time. Specific repertoire examples are discussed as well, to show how to use the music itself as a context for making stylistic choices. Each chapter also has an extensive reference list arranged by topic, so the interested reader can pursue a particular subject in more depth.

Covering the Baroque period to the present, Elliott casts a wide net, bringing together information from historical treatises, personal accounts from composers, performers, historians, critics, and current scholarly commentary into one convenient handbook for the student and the amateur and professional performer who want to learn more about how vocal works were sung in their day.



CUSTOMER REVIEWS (Average Customer Rating: 4.5 based on 4 reviews)

A detailed guide for singers and all other musicians  
A perfect book! In one small volume we find hundreds of details on performance of vocal music from Baroque to contemporary authors. A great feature for students is that the author helps develop analytical thinking applied to performance!
September 23, 2008

Educates the performer to make informed musical decisions  
Very thoughtfully written and researched. Elliot provides some suggestions based on her research, but stresses that, particularly in earlier music, many aspects of performance practice were arbitrary. For example, there are appropriate and inappropriate ways to ornament a Handel aria, but within the scope of appropriate ways, there are countless varieties and interpretations that are equally valid. Even in the composer's time, this was the case. The author presents research designed to aid performers in making informed decisions about their own performances. Therefore, this book is best suited to the serious and studious performer and is not for those looking for a quick, mindless answer.
September 01, 2007

Not much of a "guide" but not a bad library addition  
This book provides a lot of valuable information, however there is very little direct guidance to performing, only things around the edges. The French early baroque section, for example, was basically a brief french diction lesson that could be applied to any french. Many chapters and sections conclude with "decide what to do" without giving you any options to choose from, or "there is a lot of controversy with this issue" without providing basic info on the different sides, or some other king of statement that is extremely open ended and not extremely useful in and of itself.
Overall, I feel like I am just reading a bunch of quotes out of different resources slapped together. But that at least means that it points you to multiple other sources well worth utilizing for deeper research.

Pagination of the book is terrrrrible! Musical examples seem to never be on the same pages as the paragraphs that talk about them, which makes the reading experience all the more stressful.

August 12, 2007

Singing with style  
This book is an excellent introduction to performance practice. While not really introducing new material, this book stands out for it's clear readability.
April 18, 2007


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