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| View Larger Image | Maelstrom (Rifters Trilogy) by Peter Watts
| | List Price: | $25.95 |  | | 7 New starting at: | $3.84 | | 18 Used starting at: | $2.39 | | 3 Collectible starting at: | $25.95 |  | |  | | Sales Rank: | 210762 | | Studio: | Tor Books |  | | Binding: | Hardcover | | Number Of Pages: | 384 | | Publication Date: | October 19, 2001 | | Publisher: | Tor Books |
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EDITORIAL REVIEWS | Product Description
An enormous tidal wave on the west coast of North America has just killed thousands. Lenie Clarke, in a black wetsuit, walks out of the ocean onto a Pacific Northwest beach filled with the oppressed and drugged homeless of the Asian world who have gotten only this far in their attempt to reach America. Is she a monster, or a goddess? One thing is for sure: all hell is breaking loose.
This dark, fast-paced, hard SF novel returns to the story begun in Starfish: all human life is threatened by a disease (actually a primeval form of life) from the distant prehuman past. It survived only in the deep ocean rift where Clarke and her companions were stationed before the corporation that employed them tried to sterilize the threat with a secret underwater nuclear strike. But Clarke was far enough away that she was able to survive and tough enough to walk home, 300 miles across the ocean floor. She arrives carrying with her the potential death of the human race, and possessed by a desire for revenge. Maelstrom is a terrifying explosion of cyberpunk noir by a writer whose narrative, says Robert Sheckley, "drives like a futuristic locomotive."
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CUSTOMER REVIEWS (Average Customer Rating: 4.5 based on 8 reviews)
| Fantastic sequel to _Starfish_  Peter Watts' _Starfish_ introduced the reader to a fascinating, very well-developed dystopian world, the sometimes wonderful but often frightening world of the mid-21st century. In _Maelstrom_, Watts shows how that world comes to an end.
_Maelstrom_ begins right where _Starfish_ left off. Lenie Clarke and Ken Lubin, "rifters," people modified to work at a deep sea power-generating station (practically cyborgs in some respects), are the sole survivors of an attempt to contain the deadly pathogen dubbed Behemoth, discovered at the deep sea geothermal vent where Bebee Station was located. As the reader learned in _Starfish_, the strange and extremely deadly microorganism lived at that particular vent and was isolated until humans set up shop in its habitat. Aware of the unbelievable risks posed by the microbe, the government of North America used nuclear weapons to destroy the potentially biosphere-ending benthic organism at the end of _Starfish_, hoping to destroy the vent, the station, the rifters, and anything remotely associated with Behemoth. The resulting tsunami and earthquakes - made worse by the very nature of the smart gels assigned to handle the Behemoth problem - killed millions.
Unfortunately, Behemoth was not contained. Not only had it already spread to the North American Pacific coast, it was being carried further inland by Lenie Clark. Quite angry at the betrayals and lies she had been subject to, she journeyed inland to seek answers and revenge of a sort, unfortunately sowing the seeds for North America's if not the world's demise. Wherever she went, she spread Behemoth.
Lenie Clarke became far more successful than she had any right to be, owing to an unusual concentration of forces and alignment of events in her favor, as Clarke became not only a societal force but also a force of sorts in Maelstrom, the whirling, chaotic, violent successor to the modern internet, a place dominated by increasingly intelligent and dangerous "wildlife," rogue computer programs, future descendents of today's computer viruses but much more troublesome. The author's description of the evolution of such electronic organisms and the conditions prevalent in Maelstrom in the mid 21st century were fascinating and chilling. It made me very concerned about my virus protection software on my computer (not that any modern program could hope to prevail against the monsters of Maelstrom)!
Other major players include two members of the "Entropy Patrol," two "'lawbreakers" by the name of Achilles Desjardins and Alice Jovellanos. Given enormous power to react quickly, ruthlessly, and efficiently to mounting global crises, they are information experts, able to interpret, analyze, and quickly act on mounds of data in any field, be it economics, ecology, disaster management, or any other sphere (aided by the fact that they were given incredibly enhanced intellectual reflexes and pattern-matching skills). At first the Entropy Patrol was designed to act quickly and globally in an era of quarantines, diebacks, and crop failures, acting to quickly contain diseases and invasive organisms as they spread over the world as to well as to contend with other things such as global terrorism, they increasingly came to include in their sphere other sources of concern, with the power to instantly ruin millions of lives economically or to even physically end lives with powerful weapons (as long as it served the greater good of course). More powerful than any despot or emperor ever dreamed of being, only one thing stood to keep them in check, a biochemical fix known as Guilt Trip, which prevented `lawbreakers from acting against the greater good. Derived from chemicals used by parasites to control the behavior of their host, Guilt Trip paralyzed anyone with guilt - literally paralyzing them - if they ever sought to do something against the greater good. Guilt Trip was the only way anyone would ever sleep soundly knowing people like Desjardins had such enormous power at their fingertips.
Other players included Sou-Hon Perreault, a botfly operator (botflies are remotely operated flying machines, able to hover or speed to trouble spots and bring to bear as needed a battery of sensors, instruments, and in some cases weapons) and Patricia Rowan as well (a "corpse" - or corporate executive - from the first novel).
An interesting and well-written book, it was a little dark at times though generally never truly disturbing. You can see the large amount of research the author has put into this novel (but not to such an extent that the action drags or characters come off as flat or anything).
June 04, 2007 | | Everything that Wm Gibson was supposed to be....  I finished Maelstrom over the weekend. In case you didnt' know, its the sequel to Starfish and number 2 of 4 in the Rifters series. The third and fourth parts are two halves of one book that have been published separately because together it was more than 110,000 words, an obscure number in publishing that means the book can't make enough to be worth publishing alone.
Starfish was one of the more imaginative sciece fiction novels that I've ever read. If you remember the hype that surrounded William Gibson when he wrote Mona Lisa Overdrive, you might also remember how disappointing those books were. More about style than substance. Peter Watts delivers both style and substance in an elegant and beautiful writing style. His books are HARD sci fi. You'll have to pay attention but its very much worth the trip. Watts delivers what Gibson was supposed to...in spades.
Starfish was about adapted humans living in the deep sea vents, mining geologic heat to convert into energy for the world above the waters. They have been modified to be able to live underwater (I want to be one!) and they're psychotic.
Maelstrom picks right up where Starfish ended and turned up the dial about a thousand percent. Wow. What an amazing read!
If you like science fiction, you'll love these books. They are the gold nuggets that we will read a thousand books to try to find. Save yourself the nine hundred ninety nine books and go get this one.
Five stars, which I'm not sure I've ever given before. September 19, 2005 | | Disappointing Sequel  I bought this sequel to Starfish, and to be frank, was disap- pointed. Narration seemed disjointed, couldn't follow it very well-may have been too cyber-punk for my tastes. I ended up skipping to the very end to read the conclusion, and it still disappointed me. I don't think I'll keep it, either, that's how disappointing it was to me. Too many disaparate strings of the story just did not seem to be resolved in a satisfying way. Too cool and too hip a story for me. Needed better editing, perhaps not enough resolution to keep me interested very much. January 13, 2004 | | An Intriguing Novel from One of Canada's New SF Writers  I inadvertently picked up "Maelstrom" at a local library recently and found it hard to put down. Peter Watts is a splendid, hard science fiction writer whose technological descriptions rival many I've seen from the likes of Gregory Benford and Greg Bear, among others. Unfortunately, his characters are not nearly as well fleshed out as theirs, often resembling one dimensional figures whose existence merely serves to advance the plot. Nor is his writing as lyrical as theirs, which I found rather surprising since one of his acquaintances is Canada's best young writer of science fiction, Nalo Hopkinson. Yet fans of technological science fiction will undoubtedly find "Maelstrom" quite intriguing, even if it only resembles in tone and substance, genuine cyberpunk fiction. October 05, 2002 | | Dark, gritty fiction  First off, if you haven't read Peter Watts' first novel, "Starfish", don't start with "Maelstrom". While this is theoretically a stand-alone novel, the reader unfamiliar with "Starfish" will miss out on a tremendous amount of back-story and character development. ... As for "Maelstrom" itself, Watts has easily cleared the high bar he set with his first novel. All too often, sequels are rehashes of old conflict, but that is not the case here at all. Watts takes his already complex characters from the first novel and adds several more layers of texture; at the same time he adds just enough new characters to keep things interesting. These characters are equally well developed, and overall, Watts' writing is even sharper than in the first book. The writing has to be sharper, because this is a much more complicated novel than the first. While "Starfish" took place in the relatively limited space of a deep ocean outpost, and dealt primarily with human interactions, "Maelstrom" sprawls across the Pacific and North America and a significant portion of the action takes place in cyberspace. Moreover, the plot is significantly more complicated. I don't want to get into it in too much detail, as doing so would ruin much of "Starfish" for those who haven't read it. But the general theme of this novel, like its predecessor, is the impact that the unforeseen consequences of exponentially growing technology can have on humans as a species and on the planet as a whole. In a dystopian setting of environmental havoc and human violence, two new scourges have emerged. One is spawned by nature, the other, inadvertently, by man. The result is a bizarre, but believable synergy that threatens the entire biosphere. It was particularly interesting how Watts explored the nature of consciousness by subtly comparing the burgeoning life of a piece of code with the flawed memories of the main character. By now you may have guessed that there is a lot of science in this novel, and you'd be right. There is a great deal that is cutting edge, and even more that is purely speculative. Watts makes use of some pretty heavy biology and AI science that may intimidate readers at first blush. It would be a mistake to avoid this novel for that reason because the science is just there to set the stage for the story. If you understand the detail of it, it definitely adds many intriguing twists; but if you only understand it at the surface level, you could still easily follow the story. That's the beauty of Watts as a writer: he's pigeon hold as hard-SF, but the SF is just a means to the end of writing incredibly complex, beautiful characters struggling with problems we can easily empathize with. Finally, Watts has included an appendix discussing the key science in some detail, and also provides a bibliography of sources he used. "Maelstrom" is an outstanding novel set in a believable, terrifying future. It was undeniably entertaining and I tore through it at a breathless pace. It also left me thinking about technology and its impacts in some new ways. Watts is no technophobe, but he makes a strong point about the lack of responsibility in many arenas of scientific endeavor. "Maelstrom" is a must read for anyone who enjoys a great story, rich characters and a thoughtful message. February 19, 2002 | |
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