Product Description
THE PENDERWICK SISTERS are home on Gardam Street and ready for an adventure! But the adventure they get isn’t quite what they had in mind. Mr. Penderwick’s sister has decided it’s time for him to start dating—and the girls know that can only mean one thing: disaster. Enter the Save-Daddy Plan—a plot so brilliant, so bold, so funny, that only the Penderwick girls could have come up with it. It’s high jinks, big laughs, and loads of family warmth as the Penderwicks triumphantly return.

CUSTOMER REVIEWS (Average Customer Rating: 4.5 based on 18 reviews)

Gentle subversion in kidlit clothing

I can't exactly remember what it was that kept me from reading "The Penderwicks of Gardam Street" the minute it came out on bookstore and library shelves. As a children's librarian I certainly enjoyed Ms. Birdsall's previous title, The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy (Penderwicks (Quality)), which garnered itself a bright and shiny National Book Award. Then there was all that talk about a resurgence of "old-fashioned" children's books and how "Penderwicks" marked a nostalgia trend. I didn't like that notion, and maybe that feeling ate away at the good time I'd had reading the novel. Maybe I felt guilty for liking it so much. Maybe that's what slowed my hand when it came to reading and reviewing the next Birdsall title. "I've read the first one," thought I. "How much more different could it be?" But then all these librarians and teachers stared telling me how good the sequel was. No, not just good. "Better than the original." Those were the exact words I heard from three different pairs of lips. And the general rule states that if three different pairs of lips tell you to read something, it is wise to follow their advice. So I finally finally FINALLY got around to picking up a copy and reading it and . . . . shoot. They were right. It really is better than the original. And the original, for all my hemming and hawing, was pretty darn good in its own right too.

Under normal circumstances Aunt Claire's visit to the Penderwick girls (Rosaline, Jane, Skye, and Batty) is a time of fun and jubilation. But when Claire announces that it was Mr. Penderwick's wife's dying wish that he eventually date and remarry, shock hits the girls. Rosalind, the eldest, takes it particularly hard and decides to institute a plan to save their father from the claws of some foul woman by setting him up on purposefully horrendous dates (thereby turning him off of the idea altogether). Of course there are other concerns clawing at the girls' attention. Skye and Jane have switched their homework yet again, and unfortunately it worked so well that Skye's English teacher has decided to stage "her" play with you-know-who in the lead. Rosalind, on top of this dating crisis, is dealing with the unwanted (?) attentions of next door neighbor Tommy Geiger. And even Batty has a situation of her own, involving the adorable little boy neighbor (and his beautiful and intelligent mother) and a creepy fellow lurking about the street whom she calls "Bug Man". Fortunately everything works out well in the end with the girls happier, wiser, and just as amusing as ever.

I know that there are some parents, teachers, and librarians out there amongst you for whom the term "classic" when applied to a contemporary work of children's fiction means only one thing to you: twee. Ootsy-cutesy. Sunshine, flowers, and suburbs full of white children acting as if it is 1959 and they haven't a care in the world. Well, let's examine this, shall we? First off, there's no denying that this is a book about four relatively well-off white girls living in the suburbs in a big beautiful house. Let the record also show, that in her defense Jeanne Birdsall has not pulled the old let's-just-throw-in-a-black-best-friend move that so many authors do in a fit of white guilt. There are kids of different races here but they fit in within the context of the story and not in a way that feels forced. And I know that everyone likes to discuss the Birdsall nostalgia factor, but does anyone properly credit how she doesn't fall back on the usual character stereotypes? Skye acts somewhat like a jock, but her interests lie in being smart in math and extremely tidy. Jane, in comparison, is the romantic Anne-of-Green-Gables-type of gal who is deeply into writing and daydreaming but who, on the side, turns into a Cockney soccer player when she gets into a skirmish on the field. These kids have a little depth to them, often when you least expect it.

Maybe the best argument that the book belongs to the past (though it seems pretty contemporary, just without iPods and things) are the two moments when Mr. Penderwick makes Latin references that any child familiar with the Harry Potter books would recognize. The first happens on page 50 when he mentions the word "bellatrix" and no one follows it up with the accompanying "Lestrange". The second time happens on page 65 when he describes his latest date with the term "cruciatus." The forbidden curse unfamiliar to kids? It is the only evidence that this family of readers isn't living in the here and now. The evidence against this theory? Well, there are little moments like when the rules on entering into Quigley Woods are discussed. In the past a kid would wander abandoned would with impunity. These days it's a good idea just to have a couple ground rules here and there.

I'll just sum up the name of the game here in one word: Subversive. This is a deeply subversive children's novel. Aw, look at your little skeptical faces. You don't think I can back that statement up, do you? Well, consider how Ms. Birdsall both acknowledges and plays with our expectations. You walk into this novel with a certain attitude on how it will be portrayed. Then you get to page seventy-four when Jane makes the argument that their father should date because: " `men have needs . . . I read that in a magazine.' `What needs?' asked Batty. `What magazine?' asked Skye." Cheeky. You won't find that conversation in an Elizabeth Enright novel, I'll tell you that right now.

I do love the characters too. I was particularly fond of Skye since she reminded me of my best friend growing up. I knew a Skye type once. In terms of character development Birdsall respects and provides the proper amount of small, almost invisible moments that make a person who they are. The telling snippets that expose our humanity beneath the exterior. Here's an example: There is a moment when Rosalind has been so wrapped up the notion of her father dating again that she has wandered off and failed to tell Batty her usual bedtime story. Batty is fond of repetition and desperately needs her story. When Rosalind finally comes home her over-tired little sister's interior monologue works itself up and up until she's in tears (I found the line about being worried that Skye would think her a coward particularly touching) and Rosalind finally takes her to bed and gives her the story. The moment could be done in such a way that Batty comes off as looking bratty, and really the fact that the child doesn't high herself henceward is a testament of writing right there. But for me, the really telling point is right at the end of the chapter where it says of Rosalind, " `Sleep well, Battikins,' she whispered, then watched over her for a long time, just in case she woke up again, still wanting a story." In a way, the book is also about the selfishness of childhood. Every kid just cares about what they care about. It takes an extraordinary amount of energy sometimes for a person, be they old or young, to crawl out of their own little shell of self-pity to see and aid a fellow human being, no matter how close to them they may be.

Finally, it's funny. That probably should have been my first point lo these many paragraphs ago. It's true in any case. I think I may have snorted in a particularly unladylike fashion when I read the poem that Jane wrote for Skye's homework assignment which went, "Tra-la the joy of tulips blooming, Ha-ha the thrill of bumblebees zooming. I'm alive and I dance, I'm alive though death is always looming" (remember what I said about subversion earlier?).

I was at an event recently where I expressed my pleasure with this book. My companion nodded politely and listened, but then asked if I didn't find the story just a bit . . . well . . . . much. I could see where she was coming from. We're dealing with a book that contains something called the "Save-Daddy Plan". On top of that the answer to the girls' woes is so seemingly obvious (to say nothing of the last-minute villain who would have gotten away with it too if it weren't for those meddling kids and their pesky dog) that even the youngest reader is bound to guess where the storyline is going. I'll grant that, but the degree to which a children's book is predictable doesn't necessarily bother me. When you judge a book written with a child audience in mind, familiar tropes are standard fare. What's important is how well the author plays with them. J.K. Rowling, after all, was not the first author to write about a kid going off to a school for magic. She just happened to write it best. Likewise, Birdsall isn't the first writer I've seen to come up with a storyline that involves matchmaking and the like, but she writes so bloody well that I doubt any child, no matter how jaded, is going to mind if they suspect where the plot is headed.

Kids actually dig these books, which shouldn't strike you as much of a surprise. For devoted readers there's a veritable bibliography within these pages as well. Copious amounts of Eve Ibbotson, Sense and Sensibility, The Phantom Tollbooth, and on and on. Birdsall's writing is also extremely accessible. Without relying on hoopla and bombast she ropes you in with just a sentence or two. There's something for everyone here. For the kids that like "old-fashioned stories" you can make the argument that Birdsall is conjuring up the distant past (what other novel out there today contains a kid with the name "Tommy" for heavens sake?). For those of you who couldn't care less about books with a classic feel and just want something funny, well written, and enticing, "The Penderwicks on Gardam Street" has your number. Even if you didn't much care for the first one, you're going to find a lot to love here. Better than the original.
September 20, 2008

funny and fast-paced story evolves for middle school readers.

Jeanne Birdsall's THE PENDERWICKS ON GARDAM STREET tells of sisters ready for adventure. Mr. Penderwick's sister has decided it's time for him to start dating, so it's time for the Save-Daddy Plan, a plot so zany that it makes many other problems of romance and mischief pale in comparison. A funny and fast-paced story evolves for middle school readers.
September 07, 2008

Another heartwarming Penderwick tale!

Birdsall manages, yet again, to write a charming, timeless tale about family, honesty, friendship, and love.
The four Penderwick sisters each have their own plots and arcs throughout the book, but must always come together to deal with the main plot of this sequel - that their father has started to date (which, I think it's only fair to point out that the dating is not the father's idea. He is, in fact, quite reluctant, and it is only because of a letter that his wife wrote for him before her death that he agrees to it).

The only downsides were that I didn't feel that this book had quite the same endearing charm and fanciful feeling as the first, and a few of the plot points were pretty predictable. However, I did find my self intrigued by the story and the storytelling. And just as the first book, it is so wonderful to have a story where siblings not only get along, but love each other and help each other, and where parents and children talk to each other like equals and honestly respect and care about each other.

I hope Birdsall will delight us with even more stories - Penderwick and otherwise.
August 19, 2008

As with summer holidays, the book ends too quickly but will continue to be just as memorable as the years go by.

When the Penderwick family's summer holiday plans are changed, the widowed Mr. Penderwick decides to take his four young daughters --- ages 4 through 12 --- to a cottage in the Berkshire Mountains of Massachusetts. Instead, though, they find themselves on a beautiful grand estate called Arundel. For the close sisters, Arundel gives them a realm of possibility and each their own treasure-trove of memories and discoveries.

There's practical Rosalind, who, while gladly looking after her three younger sisters, develops a crush on an older teen gardener named Cagney, much to her surprise.

Next there's spirited, loudmouthed Skye, who refuses to back down against far bigger challenges than completing algebra problems.

Then there's the imaginative Jane, whose artistic skills are put to the test as she writes her most important Sabrina Starr adventure yet.

And last but not least, there's shy little Batty, who always wears her butterfly wings as she and her loyal Hound explore the magical gardens and surrounding lands together.

Meanwhile, the Penderwick sisters also find a great companion in Jeffrey Tifton, the owner's son. Jeffrey --- along with the kind housekeeper Churchie, Harry the Tomato Man, and Cagney --- helps the holiday to be a wonderful one that includes tame rabbits and the best gingerbread they ever had. Unfortunately, the terrible, snobbish Mrs. Tifton and her smirky boyfriend Dexter Dupree look down on the children and their adventures. When the Penderwick sisters discover the miserable future that lies in store for their new friend, they realize they must help him --- or else this could be his last happy summer forever!

This is a lighthearted children's book that is also somewhat realistic. Readers won't like how Mrs. Tifton treats the girls, but they will enjoy the sisters' special bond, such as when they have their secret MOOPS. As with summer holidays, the book ends too quickly but will continue to be just as memorable as the years go by.

THE PENDERWICKS is Jeanne Birdsall's first novel and the winner of the 2005 National Book Award.

--- Reviewed by Sarah Sawtelle
August 11, 2008

Delightful!

Maybe it's raining. Maybe everybody else is asleep and you're wide awake staring at the ceiling. Maybe it's a three hour drive to Grandma's and you're stuck in traffic. Maybe you had a very-bad-horrible-no-good day and you don't want to think about it anymore. You need a good, long, comforting read. Here it is. A few hours with the Penderwicks will make you feel good about the world. Is it full of nail-biting suspense and salacious gossip? Nah. It's warm. It's cozy. It's--dare we say it--wholesome! The kids are good kids who take good care of each other and their dad. They make some mistakes, but they learn from them and they do what they can to undo them. Their dialog sounds quite real and age appropriate without being trendy or coarse. The omniscient narrator leads us through the terrain of their lives with generous sentences, bestowing on us details that provide insight and clarity without tedium, not stinting in the use of the occasional five syllable word, sprinkling in some Latin just for the fun of it, showing us the how the world looks from the roof, from the secret rock, from under the forsythia bush. This beautifully paced meander feels like Swallows and Amazons (Godine Storyteller)or Five Little Peppers and How They Grew (Aladdin Classics)or Mary Poppins: Three Enchanting Classics: Mary Poppins, Mary Poppins Comes Back, and Mary Poppins Opens the Door, but it's not old and moldy. It's delightful!
Janet Gingold
author of Danger, Long Division
July 26, 2008

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