Franzicco Ragoczy di Santo-Germano is a successful merchant in Venice. His lavish lifestyle and rumored cache of magnificent jewels have attracted the wrong sort of attention, and without Santo-Germano’s noble—and papal—connections, he might be imprisoned, his property confiscated. Also under surveillance is the vampire’s mistress, the lovely and talented musician Pier-Ariana Salier.
Elsewhere, Ragoczy’s publishing business is being investigated by the Inquisition. Erneste van Amsteljaxter, a writer whose intelligence Ragoczy finds attractive, is tarred with the brush of heresy. Ragoczy is trying to help her, when he learns that Pier-Ariana has disappeared.
Back in Venice Santo-Germano finds that his fortune has been embezzled, and that he is accused of kidnapping, and possibly murdering, a young man who had been spying on the vampire and his mistress. Another spy has discovered Santo-Germano’s true nature and intends to kill him before he can feast on all of Venice!

CUSTOMER REVIEWS (Average Customer Rating: 3.5 based on 9 reviews)

Another good Saint-Germain novel

Yarbro has produced another good Saint Germain novel, but it isn't her best. For readers that enjoy historical novels or her other Saint-Germain novels they should enjoy this one as well. I wouldn't use it as an introduction to this character though. The Conte is more removed from those around him than in many of the other novels. While you get a sense for a 'man' with great compassion for humanity, it is hard to see any passion in him. Even the women he choose to love in this novel is dealt with little emotional investment. It is an enjoyable but hardly a consuming read.
June 12, 2008

not her best

For some reason, this is the first of the series that just failed to click with me altogether. It seemed to lack soul and depth. I couldn't engage with the secondary characters, and St. Germain seemed rather dim. Sorry, i love most of the other books, even ones i didn't like so much I at least did have to struggle to finish. Having said that, i do look forward to the next one!
August 10, 2006

Twenty-third in the Saint Germain series.

Or eighteenth, if you don't count the spinoff series centering on Olivia and Madeline, two secondary characters introduced in the Saint Germain series proper.

This book, overall, falls somewhere in the middle of a generally very good series; it is nowhere near the best, but also nowhere near the worst. It is a bit slow to start, and a bit lower in action than most books in the series, with the conflict in the plot primarily stemming from treacherous political machinations and financial wrongdoing, although there is a bit of action near the end. Further, the ending seems a bit contrived; without spoiling any of the plot, I can only say that I thought it was not plausible for Saint Germain to have come out of the situation as well as he did, given the events that we've seen transpire. Still, the book was generally well-written, and if there were a few minor typos and errors of continuity with previous books which I assume to also be unintentional (the one that comes immediately to mind is a passage in which Saint-Germain's unnatural lifespan is referred to as "over twelve thousand decades" (pg 213) which would, by my math, amount to 120,000 years, when we've always previously been told a much more plausible birth in the vicinity of 2000 BCE, or at the time in which this book is set, 3500 years) there were not so many of them as there were in some other books of the series, such as "Communion Blood" and "A Candle For D'Artagnan".

For those new to the series, the brief, basic gist of the concept is this: Saint Germain is a vampire, born (as mentioned earlier) around 2000 BCE, and becoming a vampire at about the age of 35-40. At first, he was a typical, traditional vampire, but by the time we see him in this series, he has outgrown such silliness and become a true hero, probably too much so for some fans of the typical vampire genre. He is elegant, urbane, generous to a fault, loyal, honorable, kind, and a marvellous lover; in every way of unimpeachable character. He CAN survive on blood alone, even animal blood, but to do so is the equivalent of a human surviving on bread and water. What he needs to be truly satisfied is an emotional connection with the blood, and love is more fulfilling than fear or hatred. He does not require enough blood to do any injury to his "victim". As he has lived for so much of recorded history, each novel is a historical novel set in a different time and place; this one is set in 16th century Venice. This novel might be of passaable interest to someone who hasn't read other books in the series, but I would recommend reading "Better In The Dark", "Dark Of The Sun", or "Blood Roses" first, if not going all the way back to the original "Hotel Transylvania".
April 20, 2006

Filling in the blank spaces in St. Germain's life

This book in the St. Germain series fills in a spot between the time periods of two other books, being set not that long after St. Germain's time with the Medicis in Fiorenza. Set at the middle of the beginning of the Protestant Revolution, the story deeply involves religion, yet I felt it was somewhat less anti-religious than some of the other volumes have been. In some respects the book resembles others that have had clergymen as active characters: there are both good and bad clergy, but the scheming and greedy ones seem to outnumber the good ones, and to win more of the struggles within the church. On the other hand, they don't win ALL the struggles, and there are some of the clergy who appear to be men who are just men who are ambitious within the constraints allowed by the times, a mixture of good and bad.

For those not familiar with the series, I would say that parts of the book would be difficult to follow if you have not read any of the other books. At the very least, you'd want to read "The Palace" before reading this one - and even those who have read other books in the series might want to re-read "The Palace."

One might also want to brush up on one's history in order to get the book in context; if you have no recollection whatsoever of when the printing press and movable type burst on the scene, and what the issues surrounding Gutenberg's press were, and don't remember a thing about Martin Luther and the 95 Theses, you might want to find a history-notes web site and refresh yourself on these issues. (I had, as it happens, the fun of seeing one of the Gutenberg Bibles, the one in the Library of Congress in Washington DC, only a week or so after reading this book.)

Because of the printing press, and because this is high Renaissance, literacy is far more widespread than it was even a century prior to the setting of this novel; in a review of another recent volume, I noted that I really didn't think it realistic, even within the constraints of this historical fantasy, that ship's captains, for example, would have been that literate, that wordy, and that wasteful of paper.

And the expansion of St. Germain's shipping business makes a lot of sense too - the last decade of the 1400's had seen the inventions of double-entry bookkeeping and marine insurance and the first half of the 16th century was a golden age of expansion for shipping as a result.

There are some parts of the plot that are slow. Perhaps some people will be more interested in the the itemized tailor's bill than I am; historic costuming is not really my thing, but if it's yours, there's some fine opportunities for visualization and imagination here!

A couple of small peeves: at one point Yarbro describes St. Germain as going up stairs that are both steep and shallow. It took me a few minutes to figure that out, which interrupted the narrative flow. I think that a few more words expended on that description would actually have saved me time. And that St. Germain still starts out each book ignoring Roger's premonitions of trouble - it's almost a cliche, like ominous music in the movies immediately followed by a girl going alone into a dark basement. Roger feels uneasy; St. Germain reassures him; trouble starts up shortly thereafter. One would think that after a few centuries of this, St. Germain might pay more immediate attention to Roger's hunches. Oh well.

Some of the things I particularly liked: Roger and St. Germain discussion how the various religious sects came to be referred to as factions, after the Roman racing corporations. The competent spy explaining the craft to the incompetent one - a timeless craft, very funny reading the exchanges and thinking that they could as easily be 1932 as 1532. A quick throw to the "I do not drink... wine" vampire cliche; I like such almost-not-there references to the rest of the genre.

A short epilogue takes care of a detail that would otherwise leave some continuity errors for volumes previously written but set in later historical periods; I suspect we'll see more of that as Yarbro fills in time slots in between the eras we already know. It's difficult to make canon and continuity perfect in a series that runs as long as this one has (in both senses) and generally Yarbro does it well, but occasionally it requires a bit of gratuitous plot twist.
December 22, 2005

Great Historical Novel Set in Unusual Era - the Reformation!

This Saint-Germain novel was a little less dark than most of the recent ones, although with the frequent political intrigue, and a little less romance/sex than usual. It was fascinating to learn how unstable life was during the religious reformation. And Venice and Amsterdam, with their ubiquitous canals and bridges, are inconvenient and uncomfortable cities for a water-sensitive vampire. A great read, and I can't wait for the next one!
December 19, 2005

SIMILAR PRODUCTS

Roman Dusk: A Novel of the Count Saint-Germain (St. Germain)
by Chelsea Quinn Yarbro

In the Face of Death (Count Saint-Germain series)
by Chelsea Quinn Yarbro

Dark of the Sun: A Novel of the Count Saint-Germain (St. Germain)
by Chelsea Quinn Yarbro

Saint-Germain Memoirs
by Chelsea Quinn Yarbro

Borne in Blood: A Novel of the Count Saint-Germain (St. Germain)
by Chelsea Quinn Yarbro