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| View Larger Image | Impressions of Light: The French Landscape from Corot to Monet
by Paul Gauguin, Karen Haas, Sue Welsh Reed, Fronia Wissman, Camille Pissarro, Anne Havinga, Paul Cezanne, Jean-Baptiste-Camille Corot, Charles-Francois Daubigny, Paul Huet, Jean-Francois Millet, Pierre-Auguste Renoir, Edgar Degas, Claude Monet, Odilon Redon, Vincent van Gogh, George T.M. Shackelford, Fronia E. Wissman, Karen E. Haas
by Barbara Stern Shapiro, George Shackelford
| | List Price: | $65.00 |  | | 2 New starting at: | $279.00 | | 9 Used starting at: | $94.98 | | | | | Sales Rank: | 898511 | | Studio: | MFA Publications | | | Binding: | Hardcover | | Number Of Pages: | 320 | | Publication Date: | October 15, 2002 | | Publisher: | MFA Publications |
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EDITORIAL REVIEWS |
Product Description
This large, lavish journey through the art of the 19th-century French landscape offers a host of masterful works, among them Corot's Forest of Fontainbleau, Millet's End of the Hamlet of Gruchy, Renoir's Rocky Crags at L'Estaque, and Monet's Rue de la Bavolle, Honfleur. As is often the case, however, some of the most wonderful things to see are also the least expected: rare and unusual monotypes by Degas, three states of a softground etching by Pissarro, and numerous works by some of their lesser-known but equally important contemporaries. Unlike previous books on the topic, Impressions of Light presents a unique and stunningly complete group of work that introduces a new level of complexity into the discussion of French landscapes. Rather than considering the landscape as a steady, linear development and the product of a single medium, it takes into account the many crosscurrents and intersecting developments in French art, from the Barbizon school through the post-Impressionist period. In addition, it studies the landscape in a variety of media--painting, prints, and photography--exploring both the individual artists' perceptions and the ways in which they influenced each other. With over 80 paintings and 70 works on paper from the Museum of Fine Arts, Boston's collections, and published to accompany a major exhibition, Impressions of Light encompasses more than 100 years and 56 artists working in a dozen different media. It holds the broadest possible view, yet never loses sight of the extraordinary intricacy that makes the landscape so enduringly appealing. |
CUSTOMER REVIEWS (Average Customer Rating: 4.5 based on 2 reviews)
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Come Visit Beautiful French Landscapes 
The book Impressions of Light by George Shackleford et al is a companion book to an art exhibit of works from Boston's Museum of Fine Art. The paintings are landscapes created by France's greatest nineteenth century painters and photographers. Most of the painters are Impressionists but others schools are represented as well. The book also contains sketches which were part of the exhibit. The sketches, as well as the written commentary which accompanies many of them, allows the reader to better understand the creative process of the painters. The factual information in the book is very extensive and helps the readers see more in the works than normally meets the eye. Perhaps what is most interesting about this book and the collection of paintings and photographs included it is the plethora of lesser known works by these great artists. Readers, especially those who have been fortunate to view the exhibit, will be transported to the settings of these great works and gain a deeper appreciation of these great artists and photographers.
June 21, 2003 | |
A spectaculrly beautifully, illustrated art history 
Impressions Of Light: The French Landscape From Corot To Monet is a lavishly, richly, spectaculrly beautifully, illustrated art history showcasing one hundred years of French art and 56 French artists. Included area wealth of rare and unusual monotypes by Degas, three states of a softground etching by Pissarro, and numerous illustrative works by lesser-known by equally significant contemporaries. Of particular interest is the attention paid to intersecting developments in French art from the Barbizon school through post-Impressionism. Enhanced with more than 80 paintings and 70 works on paper drawn from the MFA collections, showcasing the French landscape through painting, prints, and photography, Impressions Of Light deftly explores individual artists' perceptions as well as the manifold ways that influenced each other. Impressions Of Light will prove to be a welcome and much appreciated contribution to Art History collections in general, and 19th Century French landscape art and photography in particular.
November 15, 2002 | |
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