Product Description
Jonathan Lethem, editor

"The most outré science fiction writer of the 20th century has finally entered the canon," exclaimed Wired Magazine upon The Library of America's May 2007 publication of Philip K. Dick: Four Novels of the 1960s, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master.

Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. "The floor joists of the universe," he once wrote, "are visible in my novels." Martian Time-Slip (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. Dr. Bloodmoney, or How We Got Along After the Bomb (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, Now Wait for Last Year (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality. In Flow My Tears, the Policeman Said (1974), a television star seeks to unravel a mystery that has left him stripped of his identity. A Scanner Darkly (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.

CUSTOMER REVIEWS (Average Customer Rating: 5.0 based on 2 reviews)

PKD: His Tears Would Flow at Making It to the Library of America!

Prolific. Consistently thought-provoking. Scintillatingly brilliant with uncanny frequency. Hilarious. Living an adult life mostly in poverty but surrounded by many caring people. A binge fiction writer, letter-writer, and talker.

This was Philip K. Dick. He was kind enough to correspond several times with a nerdy high-school senior who had written a ten-page analysis of three of his major works.

That was me.

PKD's heart would soar at being included in a series of books featuring Melville, Faulkner, Fitzgerald, Hawthorne, and Thoreau. This latest volume includes FLOW MY TEARS, THE POLICEMAN SAID, still one of my favorites and the novel that sent me on my own binge of PKD reading.

With an ouvre of over fifty novels, voluminous short stories, philosophical essays, and a final tome, THE EXEGESIS, which may resemble Prokofiev's Symphony Number 2 in its gargantuan length and ultimate inaccessibility for most fans, Philip K. Dick was a ceaseless writer who found revision a nearly impossible process.

His works are structured by his brilliant mind that thought aloud on paper in the form of stories that questioned the nature of reality but that also revealed a profound love for most of humanity. To read PKD is to become more deeply attuned to what it is to be human--to become an explorer held in suspense by a psychological realist who fabulated fantastic worlds that were strangely familiar.

PKD's best works--five of which are included in this latest volume--are a joy to read. Because he wrote fast and didn't often revise, these are blemished works of art. But all of us are similarly blemished: it's the nature of being human. Brilliance radiates even on pages where archaic slang, incorrect predictions, and other flaws are rife.

One leaves PKD's novels wishing that one could still talk to, correspond with, or hear lecture the author--or simply read brand-new examples of this genius's work. Even with his vast output, one wants more.

One cannot leave the pages of PKD without feeling a strange, perhaps singular, intimacy. These novels incarnate the mind of that brilliant friend who lives nearby and raids your medicine cabinet if you're not looking.

If one is attuned, one cannot leave the novels of PKD not just loving the words but also loving the man who wrote them, flawed as he may have been.

I'm grateful that the Internet was unavailable to PKD: it might have ruined his output of novels and stories.

But I wish I could see the joy and pride on his face at having two volumes (so far) dedicated to his best work.

Emerson himself merited only two volumes.
November 24, 2008

Re: Excellent collection

As with all the Library of America titles, this collection is superbly edited and presents the best available drafts of the selections. These selections, although less famous than the titles in the earlier Library of America volume, are still interesting, thought-provoking and entertaining to read. I recommend this collection for your own personal library.
August 29, 2008

SIMILAR PRODUCTS

Philip K. Dick: Four Novels of the 1960s: The Man in the High Castle / The Three Stigmata of Palmer Eldritch / Do Androids Dream of Electric Sheep? / Ubik
by Philip K. Dick
by Jonathan Lethem

William Maxwell: Later Novels and Stories: The Château / So Long, See You Tomorrow (Library of America #184)
by William Maxwell
by Christopher Carduff

Philip Roth: Novels and Other Narratives 1986-1991 / The Counterlife / The Facts / Deception / Patrimony (Library of America #185)
by Philip Roth
by Ross Miller

Katherine Anne Porter: Collected Stories and Other Writings (Library of America #186)
by Katherine Anne Porter
by Darlene Harbour Unrue

Collected Poems, 1956-1987
by John Ashbery