Product Description
Arguably no other author has inspired more musicians than has Howard Phillips Lovecraft. Here, for the first time, is a book documenting the music inspired by the works of this literary genius, with insights provided by the artists. The book features a foreword by H. P. Lovecraft expert S. T. Joshi and cover artwork by Joseph Vargo.

CUSTOMER REVIEWS (Average Customer Rating: 4.0 based on 2 reviews)

Good to see a tome as this at last . . .

Thanks for doing a book like this! I have been reading & writing Lovecraft for over a decade now. My own stories like Priestess of Nycrama and Nexus of Vortices have seen e-zine publishing. And finally, as you write of, HPLovecraft has come out in my own music if you visit
www . SourceCodeX . com you will find dark ambient music to see Cthulthu by . . .
November 13, 2007

Excellent for Lovecraft or music lovers alike

The Strange Sound of Cthulhu starts with an introduction to Lovecraft's life. This provides good background for readers who are there for the musical aspect and unfamiliar with his writing. It is strait-forward, giving just the information needed to understand how he could still have an impact on music today, almost seventy years after his death.

The rest of the book is broken down into the musical genres he inspired. From psychedelic rock to country, groups little heard of all the way to big names, such as Black Sabbath and Metallica, have attributed some of their inspiration to Lovecraft.

Hill analyzes the songs--and even group names--that have roots in the literature of Lovecraft. The book compares lyrics with Lovecraft prose, and touches on music rumored to have Lovecraft ties. He gives details of each song, and in many cases, interviews with the artists behind the music. They discuss how their music ties in with Lovecraft, how they were introduced to his writing, and even their favorite Lovecraft tale.

Though the idea of seeing the music described in words may sound dull to some, Joshi was correct in the forward when he said, "Gary has that rarest of skills among music critics: the ability to describe a song, whether vocal or instrumental, in such a way that readers seem to hear it running through their heads."

Though Hill claims that the book is in no way exhaustive on the subject, it is as close to being exhaustive as it can get. It is designed to snare the readers that are there for the music to start reading Lovecraft, and the readers there for Lovecraft to look out for the music. I found myself getting out my old music to listen for what Hill describes.
October 28, 2006

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