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32 Stories: The Complete Optic Nerve Mini-Comics
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32 Stories: The Complete Optic Nerve Mini-Comics | Paperback

by Adrian Tomine (Author), Adrian Tomine (Illustrator)

List Price: $12.95  

Binding:  Paperback
Publisher:  Drawn and Quarterly
Page Count:  96 Pages
Publication Date:  February 01, 1998
Sales Rank:  262,805nd


EDITORIAL REVIEWS


Product Description
In 1991, Adrian Tomine self-published the first issue of Optic Nerve. Consisting of three xeroxed sheets of paper, and with a print run of twenty-five, it was a less-than-auspicious, largely unnoticed debut. In the following three years, though, Optic Nerve developed at a startlingly rapid pace: the artwork and writing evolved with each story, production quality improved, page counts increased, and by issue seven, sales had reached 6,000. In 1994, Drawn & Quarterly took over the publishing duties of Optic Nerve, and the original seven issues sold out and were left out of print. 32 stories presents these rare, early editions, collected for the first time in a single volume.


CUSTOMER REVIEWS (Average Customer Rating: 4.5 based on 13 reviews)

A good start on Tomine. by Kristoffer Sevillena (Lyndhurst, NJ) 4 Stars
April 15, 2009
I think that anyone who is interested in Adrian Tomine's comics should start with this one. He has a talent for using minimal dialogue and encourages his readers to use their own imagination and evoke and project their own experiences onto his stories. (I really feel like he, as a writer, respects my own experiences and imagination when I read his comics.) A lot of his comics end with such a powerful open-endedness that reminds me of Flannery O'Connor and Ernest Hemingway stories, and he does this especially with "Two in the Morning," which is my favorite one. Despite knowing the dialogue almost from memorization, it's just so gratifying to read again and again and again.

Pure brilliance in bite-sized chunky nuggets! by deaner73 (Palo Alto, CA USA) 5 Stars
March 21, 2009
Adrian Tomine showed from a very early age the chops necessary to rise to the top of the Indie comics scene with his self-published (3 page Kinko's copies) series, "Optic Nerve." Here in one handy volume is the complete collection of his 'Optic Nerve,' mini comics. From his first 'book' published when he was 17 Tomine was already demonstrating his brilliance through semi-autobiographical vignettes capturing the pain of adolescence and other recurring themes such as relationships, loneliness, simmering rage and angst. Tomine's clean black and white illustrations pair wonderfully with his tension filled and crisp narrative to give a somewhat minimalist approach to storytelling but highly engaging nonetheless.

where it all began by Andrew Perry (Los Angeles, CA USA) 4 Stars
July 07, 2003
A wonderful collection of Adrian Tomine's earliest published stories. If you have read none of his work before this might not be the way to be introduced to this great writer and artist. Look to any of the Optic Nerve collections for that. But if you want to see the evolution of an important writer and see where things began then this is the book for you. These early stories hint at the stories that come later. They offer insight and humor and it is fascinating to see how Tomine's art began.

funny, sparse, tales by lady detective (east coat) 4 Stars
May 20, 2003
adrian tomine does a fantastic job of capturing the mundane, everyday details of life- turning them into funny little slices.don't expect a strong narrative to run through the book. each of the 32 stories run from 1-6 pages and only carry a few repeat characters. the stories are 32 tiny vignettes capturing little bits of life- random thoughts, dreams, small experiances (which manage to capture a much larger picture, and that's the brilliance of it), etc.don't be dismayed if the first few comics aren't that great; once you get further into the work it's fascinating to see how tomine's art and story arcs mature.my only complaint, and the reason i gave the book 4 instead of 5 stars, is that i finished the book in about half an hour. although it's well worth reading, and something i'll pick up and read again, i strongly suggest buying the cheapest copy you can find. 90 odd pages (and they're small pages)of drawings do not add up to the fairly high retail price.do try to pick a copy up. tomine has a voice not to be missed.

The Birth of a Talent by A. Ross (Washington, DC) 5 Stars
May 01, 2002
The 32 stories collected here reprint the self-published first seven issues of Tomine's "Optic Nerve" comic, spanning 1991-95. While his Tomine's work is always enjoyable on at least some level, reading his earliest work in chronological order allows us to witness him grow as a writer and artist�warts and all. The earliest stories tend to be short two-page pieces, while the last stories tend to be longer narratives. The stories fall into a few rough categories: dreams (Adrian Tomine's 10, 533rd Dream, Haircut), the Amy quartet (Solitary Enjoyment, Rodney, Two In the Morning, Leather Jacket), autobiographical vignettes (Sean's Story, Disappointment and Despair, Back Break, This is A True Story, Adrian Quits Hi Job, Psycho Cook, An Everyday Triumph, My Appearance on the Jane Pratt Show, Allergic, The Sell-Out), and moodier stories that deal with loneliness, alienation, and relationships (Lifter, Smoke, Happy Anniversary, Stammer, Laundry, Dine and Dash, Grind). There are also some crude attempts at social commentary (Patriotism is Alive and Kicking), reportage (Heat Wave Death), biography (Kerouac's Life With Comics), and an amusing tirade against sleep (Sleep = Waste).Over the course of the book, we can see Tomine's increasingly sophisticated take on alienation and relationships. His artistic progression progresses from crude to totally exacting and precise, a style that reinforces his themes and storytelling. This trend is continued in his subsequent collection, Sleepwalk and Other Stories, which is more bleak and stark. Tomine is often compared to Raymond Carver�since I've never read any Carver I won't do that, however, I will say he is brilliant and his work deserves a wide audience.

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