| View Larger Image | The Shape of Things to Come | DVDStarring: Jack Palance, Carol Lynley, Barry Morse, John Ireland, Nicholas Campbell
Directed By: George McCowan
| List Price: | $14.95 | | Price: | $13.49 | | You Save: | $1.46 (10%) | | | Available: | Usually ships in 24 hours |
| | Binding: | DVD | | Rating: |  | | Run Time: | 98 minutes | | Format: | Anamorphic, Color, Dolby, DVD, Widescreen, NTSC | | Studio: | Blue Underground | | Number of Discs: | 1 | | Aspect Ratio: | 1.66:1 | | Release Date: | March 30, 2004 | | Sales Rank: | 96,776th |
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EDITORIAL REVIEWS |
Product Description
Studio: Wea-des Moines Video Release Date: 03/30/2004 |
Amazon.com
H.G. Wells' The Shape of Things to Come is so deliriously bad that it begs inclusion in any collection of 1970s kitsch. It's a disco-flavored variant of TV's Buck Rogers in the 25th Century--just another no-budget rider on the coattails of Star Wars. Only a fool would perceive even a slight connection to Wells's classic novel, to which this misleadingly titled cheese-fest is ostensibly a sequel. Their careers in sorry decline, Jack Palance, Carol Lynley, Barry Morse (late of TV's Space: 1999), and John Ireland look embarrassed as they wrestle with a wearisome post-apocalyptic plot that pitches Morse, a pair of Ken-and-Barbie heroes, and their quirky robot (of course) against megalomaniac emperor Palance, who controls a drug needed for survival of moon-based colonists. Prior to directing this laughable mess, George McCowan had helmed episodes of several prominent TV action series of the '70s, but here he devolves into moribund hackwork. This is a ham sandwich sans bread, from a time when stale sci-fi was spreading like mold on George Lucas's leftovers. --Jeff Shannon |
CUSTOMER REVIEWS (Average Customer Rating: 3.0 based on 6 reviews)
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Worst movie I've seen this month, and that's saying something. by Robert P. Beveridge (Cleveland, OH)  1 Stars
June 26, 2007
The Shape of Things to Come (George McCowan, 1979)
I'm not terribly sure how many variations on the word "bad" I can use in one review, but this review will, most likely, see them all. The Shape of Things to Come is a movie so heart-wrenchingly, eye-bleedingly, mind-shatteringly awful that it demands my best effort. It's the only pleasure I'm going to get out of having sacrificed that ninety minutes of my life.
So, the setup: there's been a nuclear war on Earth, and most of the surviving humans are holed up on the moon, in New Washington. The humans are treating the Earth, and the survivors left on it, with a mineral that can only be harvested from one planet. As the movie opens, a ship from that planet is on its way to the moon, refuses to be stopped, and crashes into the big dome that covers the moon base. Obviously, something's wrong up on that planet, and we find out what pretty quickly: the evil Omus (Jack Palance) has ousted everyone from the planet's control center and taken over with his army of (really quite stupid) robots. The erstwhile governor of the planet, Nikki (Carol Lynley), and her band of survivors are trying to find a way to get back and and overthrow Omus. Meanwhile, a small band of folks from New Washington, led by Dr. Caball (Barry Morse), head out to the planet to see what they can accomplish, as well.
It's H. G. Wells, so you know the script won't be horrible, but it's not an adaptation that really shines in any way. This is not helped by the terrible, terrible acting. But this pales beside the (very) special effects, which take the definition of "anachronism" to a whole new level. It was pretty cool to see those Honeywell green-screens and children's-toy keypads, though; one wonders whether payment for product placement actually existed as far back as the seventies. The costumes are dreadful; when Nicholas Campbell grunts "get this robe off him!" at one point in the movie, you almost wonder whether he was expressing (entirely understandable) deep-seated resentment at the costume department. A flock of kids on Earth during one brief scene that never goes anywhere have shockingly cheap dye jobs. Etc.
And, well, I'm back to the script, because there are at least two instances (there may have been more; I'm sure I blocked some out) where major pieces of foreshadowing occurred that just disappeared, never to be seen again. The trip to Earth is one; Sparks the Robot's erratic behavior about halfway through the movie is the other. Great setup (with, of course, the requisite bad acting). No follow-through. Disappointing. But then, that's an excellent word to sum this movie up--disappointing in every respect. I only watched it because it came as part of a set with Contamination (reviewed here a few weeks ago); that Contamination was by far the better of the two movies may, in fact, be the choicest epithet I can hurl at this puddle of pond scum. It may be fun to watch if you're painfully, deliriously drunk. Otherwise, avoid at all costs. (zero)
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WACKY post 70's Canadian Sci Fi film! by Bob Eggleton (Providence, RI United States)  3 Stars
March 17, 2005
I remembered reading about this film in an old Starlog and of course, the film never appeared in my area! I was assured it was "ghastly" and "hilariously bad". When it came to DVD I had to buy it just to see how true that was and indeed...it is. From it's disco music opening theme which wants to take off Star Wars and Space:1999's 2nd season music...the film overall comes off like a cross between the second seasons of Space:1999 and Buck Rogers!!! In fact, early on Sylvia Anderson(late of Gerry Anderson) went to Canada to be involved as a producer of some sort and she wound up signing her name off it. Every gal has those "feathered" disco haircuts and the clothing is right off the Roller Boogie racks. All that's missing are the roller skates. The special effects are pretty bad, mostly "in camera" work similiar to Space:1999 however not pulled off with the class or craftmanship that was done with. Badly photographed and everything is always "up close" revealing the true miniature nature of the models. The overall production design is pretty cheesy too, with robots that look awkward and they appear that way despite the fact apparently most of the film's budget went into them!!
The moon city is obviously some (then, late 70's) futuristic office building or company headquarters in Canada where we see clouds, trees etc outside the windows but this is explained that they've re-created an earth enviroment in a dome. The same corridor is used again and again and again for "running" shots.
Hard to believe the talent involved(Barry Morse,Jack Palance and Carol Lynley) that got involved in this film. Great in anyone's "bad" film collection!
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Get Down With Jack Palance by Stanley Runk (Camp North Pines)  4 Stars
December 24, 2004
The onscreen written intro tells us that this film is taking place in the "Tomorrow after Tomorrow". So apparently in the next two days we'll have experienced the "Robot Wars" and have had to relocate to the moon coz Earth is too damn polluted and radioactive. The people of the moon colony come under attack by Jack Palance and his army of trashcan robots who do his dirty work. Palance hangs out on Delta 3, but he wants control of the moon as well. The wimpy moon people don't wanna take action, but 3 badazz renegades and a reprogrammed Palancebot aren't about to just roll over. So, before you can slap on your Skin Bracer, they're off to turn the tables on Jack Palance. First a quick pitstop on Earth for repairs. Meanwhile on Delta 3, about 7 people have formed a resistance against Palance's dictatorship. When they're not being fried to a frizzly frazzle by the Palancebots, they hide from these innovative, high-tech death machines by merely crouching in the grass about 2 feet away as the killers merrily march by. If these robots are the biggest threat the moon colony is facing, what's the panic all about? Palancebots are also easily dispatched by a good rap on the head with what ever is handy. Our heroes finally make it to Delta 3 after a brief detour through some wacky black hole-type thing. I don't know what the hell that scene is about, but guessing from the facial expressions it was either very painful or felt very good. Once on Delta 3, they team up with the shrinking resistance and have to face Jack Palance's Deadly Disco Dance-O-Rama! Hope they didn't forget their lucky deck coz Palance isn't gonna go down easy. Check out the shot where the crumbling ceiling bonks Jack Palance on the head! Was that intentional? Do our heroes save the day? Do you really give a @$#&? Well, all I can say is if you like bad(and I really mean BAD) sci-fi flicks, this is a must see. I don't know why, but I've always found the worst sci-fi to be 100 times more entertaining than the "good" sci-fi. And how can you not love the theme music? Can you get this song on cd anywhere? Makes a great double bill with Tango, Cash, Cash and Tango.
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Brilliantly, hilariously bad! by Jeffrey Leach (Omaha, NE USA)  5 Stars
October 06, 2004
Up until I saw "The Shape of Things to Come," I thought Joe D'Amato's hysterically atrocious "Troll 2" was the best "so bad it's good" film out there. Well, I still believe that, but this movie comes in a close second. I suspect if you watched both films as a double feature, your head would explode under the endless assault of numerous scenes loaded with bad dialogue, ridiculous overemoting, and impenetrable plot points murkier than a cup of black coffee. This is a film so mind meltingly horrible, so offensive to every cinematic sensibility, that only lovers of bad movies who have fortified themselves beforehand should venture into this challenging territory. And even then I am not sure you will emerge unscathed on the other side. "Hey," I'm hearing people say, "How could a film starring Jack Palance and Barry Morse--set in a future where radiation from a series of robot wars wiped out the planet earth--be so bad?" That's a good question, grasshoppers. A very good question that I asked myself before setting out on this mission. The answer, the particulars of which lie ahead, sums up as follows: It's bad because the filmmakers took their effort seriously. It's also great because the filmmakers took their effort seriously. Read on.
I have no doubt, from the detailed plot set up and seriousness of every actor involved, that "The Shape of Things to Come" was meant to be a film that would rival Lucas's "Star Wars" in the science fiction genre. Heck, the film supposedly is based on a story by H.G. Wells, a fact the title boasts about. Thank goodness Wells never saw this nightmare; he might have stopped writing. As far as I could tell, the plot goes something like this: a series of robot wars went nuclear, thus rendering the planet inhabitable. In an effort to survive this disaster, people set up a base on the moon called New Washington and began exploring the universe. The only way to restore earth is to use a drug called RadicQ2, which stymies the insidious effects of radiation. Unfortunately, the only place this substance exists is on a planet called Delta Three, where the humans set up a base manned by Governor Niki (Carol Lynley) and what looks like a staff of six. Problems emerge when Omus (Jack Palance) takes over Delta Three and attempts to force New Washington to name him Emperor of the Universe. We learn all about this after Omus sends a cargo ship helmed by a robot crashing into the moon. Luckily, the base's shield protects humanity, but now the authorities must decide how to deal with Omus.
Here's where Doctor John Caball (Barry Morse), his son Jason (Nicholas Campbell), and Kim (Eddie Benton) come into the picture. Not content to cave into Omus's demands, these three sneak away to Delta Three on Caball's supersecret craft called Starstreak. They plan to unseat Omus and restore production of RadicQ2 if they survive the perilous trek through the solar system. Along the way, the trio land on earth and run into a bunch of kids who look like rejects from "The Village of the Damned," undergo serious technical difficulties with the ship, and travel through a cheesy intergalactic storm that looks like psychedelic vomit. The film occasionally switches to the action on Delta Three as Niki and her loyal followers attempt to thwart Omus's infernal schemes. The poor governor--not only is her name 'Niki,' but she and her compatriots must also fight off an army of robots that look like modified Hoover vacuum cleaners and move about as fast as a snail with a limp. You can probably figure out how the movie ends, but that's not important. It's how much cheese we have to swallow on the way there. At least the musical score is cool.
Where do I start? How about the histrionic performances? Ultimately, the hammy acting was what I enjoyed most about this picture. The actress who played Governor Niki is so breathtakingly wooden that I kept expecting someone to learn over and check for vital signs. And Palance! Oh dear, wonderful Palance! He throws away all pretense of subtly in his truly memorable turn as the evil emperor wannabe. At the moment of his greatest defeat, Palance screams something in a tone so incredibly, hilariously over the top that I had to watch the scene three times to absorb it. But even Palance can't top the antics of Barry Morse. Omus possesses a machine that sends out dangerous pulses of energy, a machine that will incapacitate an individual, and he uses it on Morse's character in another hilarious scene. Morse hops around and shakes in such a way that I wondered if the machine was really that dangerous or if Caball just had to go potty. The machine itself resembles a spinning disco ball, and Omus wore a helmet that looked like a fish tank to protect him from these dangerous pulses. I haven't laughed this hard in ages! "The Shape of Things to Come" is really one laugh after another even though everyone plays it so straight that you just know they thought they were making something special. And they did, but not in the way they intended.
It's amazing this clunker found its way to DVD, let alone with a French language trailer, television spots, and stills as extras. I think I can safely say that this is a film that begs for a commentary track from the principals. I'd pay good money just to hear what Palance had to say about this travesty. If you're a fan of trash cinema, you can't do much better than "The Shape of Things to Come." This picture is a hilarious cult classic, a picture worthy of respect if for no other reason than that it illustrates how important "so good it's bad" films can be.
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Trapezoidal by Jonathan Schaper (London, Ontario Canada) 3 Stars
June 20, 2004
Jack Palance plays an insane villain who takes over a mining colony on a planet with a population of about 12 (who spend most of the film hiding from Jack in a cave). He uses his newfound power as head (and now sole) miner to crash his only interstellar ship, manned by a robot, into the headquarters of the galactic government on earth (actually, Ontario Place), thus causing so much damage that it takes the government all of 10 minutes to make repairs. Jack then demands that he be made supreme dictator on the strength of this demonstration, and apparently also because of his ability to cast cool spinning holograms of himself. The earth government is too afraid to counterattack Palance (who no longer has the means to even leave his planet), so it looks like he'll get his wish, except that several heroic types hijack an unfinished battleship in order to launch a counterattack. Once on Jack's planet, they must defeat about 20 slow, clumsy robots that look like mini-fridges with legs and which can be taken out if you hit them once over the head with a staff. Luckily for Jack, all the good guys are absolutely incompetent morons (although not as incompetent as the good miners who stand still long enough so the robots can electrocute them in battle). Oh yeah, there's one robot who turns good and gains the ability to teleport for no apparent reason and which, for comic relief purposes, falls in love with the lead female (which means it must consider itself to be either a male or a lesbian). Some poor mutant children (they look like Edgar Winter) show up to pull at your heartstrings, and there's production design straight out of Space: 1999 and Battlestar Galactica which could give you a bad case of disco fever. The movie never gets dull, but is not that as funny as my description might make it sound. It's not as good as anything from Towers' amazing Franco period, but is far better than his dismal South African period (apartheid made filming there cheap in the 1980s). The only real reason for getting this movie is out of some bizarre nostalgia for the late 1970s/early 80s or for Palance's performance which is so entertaining that you might forget that his character is only slightly more threatening than someone on life support.
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