Science Resources RSS Feeds
|
 |
 |
 |
| View Larger Image | Everybody Else Is Doing It, So Why Can't We? | Audio CDby The Cranberries
| List Price: | $18.98 | |
| | Binding: | Audio CD | | Studio: | Polygram Records | | Release Date: | April 20, 1993 | | Sales Rank: | 24,913th |
|
TRACK LISTING | Disc: 1
- Track 1: I Still Do
- Track 2: Dreams
- Track 3: Sunday
- Track 4: Pretty
- Track 5: Waltzing Back
- Track 6: Not Sorry
- Track 7: Linger
- Track 8: Wanted
- Track 9: Still Can't...
- Track 10: I Will Always
- Track 11: How
- Track 12: Put Me Down
|
EDITORIAL REVIEWS | Amazon.com Their first full-length shows a band fully formed, with faint debts to the Sundays and the Smiths, but turning out more-than-tuneful pop behind the gorgeous lilt of Dolores O'Riordan. "Dreams" and "Linger" both seem to weave magic spells that remain even after the tracks pass, and there is a glorious freshness to the performances that's impossible to resist. It remains their most satisfying outing. --Chris Nickson |
CUSTOMER REVIEWS (Average Customer Rating: 4.5 based on 83 reviews)
| Great listen by MichiganMarty (Michigan, USA) 5 Stars October 15, 2007 This is the first piece I've bought by the Cranberries and I'm very satisfied with it. Shipping was ultra fast and the CD was in the original wrapper - and flawless. I was very happy with the vendor.
| | I want to make one thing perfectly clear by Daniel Hayes (Clermont, FL.) 1 Stars August 14, 2006 Despite your album title not everybody was trying to imitate 10,000 Maniacs in 1993, and so therefore the title doesn't apply to you. If you wanted to just say you were recording an album then that's fine, but don't say you are doing this because everyone else is SO THERE!!!!!! Now that my venting over the title is over now onto serious business: "Linger" is my first introduction of the Cranberries, and let's just say that it was as bad as getting a manly handshake from a woman. The melody is despicable, and the lyrics are too, and it was one of the bad memories of the first months in FL. That's where I was first introduced to this, so I feel that if everyone was rocketing to the moon in their underpants would you?
| | Good Album by The Scrambled Egg (Ontario, Canada) 4 Stars August 04, 2006 I think this is a good album in the whole. Most of the songs are well written and well performed. The lead vocals do sound a bit the same after a while, but she has a nice voice so I don't mind hearing it over and over. I think this album still sounds good, it's better than most of the stuff out today.
| | The 5 star ratings here are a bit much by Greg Brady (Capital City) 3 Stars February 04, 2006 Yes, Dolores O'Riordan has a beautiful voice. Yes, many of the tunes here waft delicately and create a slightly melancholy ambiance.
The problem is that the songs rest TOO heavily on her voice without the songwriting to carry it. Too few of these tunes have solid bankable hooks that draw you back to them again and again and that counts against the longevity of this in the end.
In addition, the lilting quality of O'Riordan's voice takes on a near yodel affectation at times that means her singing style may take some getting used to. That's not to say this album is "bad"..just that much of it possesses a tendency to bleed into the background.
HIGHLIGHTS:
Driving drums and shimering guitar made "Dreams" a big hit as was the string-kissed "Linger". Outside of those, "Still Can't.." and "How" with its "Never before and never again" chorus settle in with repeated listening. It closes on a nice note with the otherworldly soaring backing vocals on "Put Me Down".
LOWS:
"I Still Do" is a prime example of a tune that I just can't recall once it stops playing and it was allowed to set the stage for the disc. While that's truth in advertising at its most extreme, it certainly doesn't start the CD to best advantage.
BOTTOM LINE:
A great voice can't carry songs on its own and this album is hit and miss but the best bits are majestic. Definitely one I'd borrow from a friend first before buying, though.
| | Beautiful melancholy... by A. Ort (Youngstown, Ohio) 5 Stars December 12, 2005 This album, along with Counting Crows 'August and Everything After', came out around the same period of time and both have this gripping, haunting sound to them. Perhaps it is because during a certain period of transition in my life, this album and the Counting Crows album never left my CD players and the song "Linger" always take me back to that period of time and causes a bittersweetness to arise in my soul. So too was I transported back when I revisited this album after a number of years.
This album is gorgeous on so many levels. I forgot just how powerful it is. The music, the singing, the lyrics and the overall tone are melancholy but not depressing, haunting but not sorrowful and gorgeous in a way few albums achieve. "Linger" is one of my all time favorite songs and it never gets old but this is a treasure trove of other songs that never made the radar.
It plays well as an organic whole; there is not a bad song on here. If you're ever looking for an album to help you chill, to cause you to reflect or to just set a certain mood, this is one to play.
| |
SIMILAR PRODUCTS |

| No Need to Argue by The Cranberries
It was a tough act to beat when Irish group the Cranberries released the follow-up to their debut disc Everybody Else Is Doing It So Why Can't We, an interesting and intimate album highlighted by the memorable hit "Linger." Critics chided that Everybody was timid in nature both musically and lyrically, but No Need to Argue quickly changed all that. The 1994-released effort was decidedly more confrontational, instantly evident by the lyrics, inspired by the Irish conflict, in their hit "Zombie."...
| 
| To the Faithful Departed by The Cranberries
This is the Cranberries' contribution to the time-honored difficult-third-album syndrome, with the Irish quartet--particularly frontwoman Dolores O'Riordan--working to expand its musical base and stretch out in new lyrical directions. While their efforts are only partially successful, the band approaches the task with such cocky confidence that the album maintains a consistently high level of likableness. The band employs a convincingly aggressive instrumental attack on "Salvation" and...
| 
| Wake Up and Smell the Coffee by The Cranberries
After 10 years of making hit records, you would think Cranberries singer Dolores O'Riordan would have figured out how to write a proper rock lyric. But less than two minutes into the Irish group's fifth album, we are treated to a flashing display of her incomparable wit: "Birds in the sky/ they look so high" she coos on the opening track "Never Grow Old," before adding "I feel the breeze/ I feel at ease." And that's when she is being mercifully clever. On the title track, she doesn't even...
| ![Bury The Hatchet [Explicit Cover]](http://ecx.images-amazon.com/images/I/319EQ4Q5SAL._SL160_.jpg)
| Bury The Hatchet [Explicit Cover] by The Cranberries
On the heels of their smash debut, the brilliantly titled Everybody Else Is Doing It, So Why Can't We?, and the even more popular follow-up, No Need to Argue, the Cranberries fell victim to the same bad instincts as a thousand ascendant pop stars before them--they started taking themselves way too seriously. The dreary, self-important To the Faithful Departed was the result, and fans that had thrilled to the gossamer melodies of "Linger" and "Dreams" or the powerful crunch of "Zombie" abandoned...
| 
| Are You Listening? by Dolores O'Riordan
2007 solo debut from the former Cranberries vocalist. Written and recorded in Dublin and Canada and featuring production from Dan Broadbeck and acclaimed musician/producer Youth, whose many production credits include Paul McCartney and U2. The album was written and inspired by her personal experiences over the last four years including her marriage, the birth of her third child and the death of her mother-in-law. 12 tracks including the first single 'Ordinary Day', 'Loser' and 'Apple'. Sequel.
|
|
|
|