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Closed on Account of Rabies: Poems and Tales of Edgar Allan Poe | Audio CD

by Various Artists

List Price:

$19.98

Binding:

Audio CD

Studio:

Island / Mercury

Release Date:

December 09, 1997

Sales Rank:

155,220th

TRACK LISTING

Disc: 1

Track 1: Alone - Marianne Faithfull
Track 2: Raven - Christopher Walken
Track 3: Tell-Tale Heart - Iggy Pop
Track 4: Conqueror Worm - Ken Nordine
Track 5: Black Cat - Diamanda Gal�s
Track 6: For Annie - Gavin Friday
Track 7: To Helen - Ed Sanders

Disc: 2

Track 1: Haunted Palace - Ed Sanders
Track 2: Ulalume - Jeff Buckley
Track 3: Berenice - Dr. John
Track 4: City and the Sea - Debbie Harry, Jazz Passengers
Track 5: Annabel Lee - Marianne Faithfull
Track 6: Masque of the Red Death - Gabriel Byrne
Track 7: Raven [Live Excerpt] - Abel Ferrara

EDITORIAL REVIEWS

Amazon.com
One of the true marks of a horror artist is to create something that is at once completely terrifying and utterly fascinating. It's not about blood, guts, and gore, as anyone who's ever seen Psycho could tell you, but about suspense, story, and the characters themselves. Edgar Allan Poe's stories rank as some of the greatest horror ever written--and that's before the likes of Iggy Pop, Diamanda Galás, Abel Ferrara, and Christopher Walken (chilling, as he reads from "The Raven") got their hands--er, voices--on Poe's words. This two-disc compilation is a success if only for treating Poe's texts in the right manner, with subtle backing music and sounds and restrained, ominous performances from the readers (other fine readings come from Ken Nordine, Dr. John, and Jeff Buckley). One reason for the album's quality may be producer Hal Willner; if you enjoy this, you might also want to check out his work on Weird Nightmare: Meditations on Mingus, The Carl Stalling Project, Vol. 1, and Spare Ass Annie. --Randy Silver

CUSTOMER REVIEWS (Average Customer Rating: 4.5 based on 20 reviews)

A slightly flawed masterpiece by B. Parker (oh)

3 Stars
December 02, 2009
I've been wanting to hear this for years. Unfortunately, I couldn't afford the out of print prices. Recently, I was able to scare up a copy using my state's library system (a cassette copy no less), and I've been absorbing it in my car for the last few weeks. I wanted to love it unconditionally, but I do have some issues with it. It is admirable that some different pieces were chosen than you'd think. The poetry is equally represented along with the stories. The album starts with Marianne Faithful's spooky reading of "Alone". It is only a brief passage, but it sets a mood and then leads into "The Raven". Like many, my ears perked up at the prospect of hearing Christopher Walken do this poem. And it is a brilliant reading. It almost seems like it was written for him: the familiar verses combined with his unique rhythm and timbre make for a different experience. His voice is recorded in a very echoing place (I don't think it's fake echo), and it adds some spooky atmosphere. Then Iggy Pop does "The Tell-Tale Heart". I wasn't sure how this would be, but I needn't have worried. Iggy speaks very precisely at the beginning, and appropriately starts going quite gonzo at the end - which is just what this story requires. Then we have Ken Nordine doing "The Conqueror Worm". WOW. I've been listening to the man for a few years (I heartily recommend his Word Jazz or Colors CDs), but I didn't know how amazing he would be on this. It's criminal that he reads only a 3 minute piece. I think he would have been even more amazing reading something like "The Pit and The Pendulum," or even "The Cask of Amontillado". Heck, the CDs could've been filled with just Ken Nordineand I would have been happy. Forget James Earl Jones or Orson Welles - this man is THE VOICE. Then comes the piece that sets the standard for what something like this should aspire to - Diamanda Galas' reading of "The Black Cat". Upon first hearing this, my wife asked me if she was trying to sound like Eartha Kitt. While that would've been appropriate, I don't know if that's the case. What I do know is that it is an amazing performance. Someone in another review stated how she must smoke 5 packs a day. Nonsense - Diamanda has like a 4 or 5 octave vocal range and can make her voice do whatever she wants to. She is very closely miked - so much so you can hear the clicking of her tongue as she makes words. She speaks at a very slow speed, emphasizing particular words much heavier, often to great effect. There is the this cold ageless rage and, dare I say it, sexuality than I thought the story possessed. Just listen to the way she says "perverseness". It is truly chilling. She completely gives herself over to Poe's work. She puts you under a spell for 36 minutes. I am not too familiar with Gavin Friday, but he does justice to "For Annie", injecting it with just enough wistful romanticism. The next two tracks are the real head scratchers - Ed Sanders (?) song versions of "To Helen" and "The Haunted Palace". To me, the fact that these are done as songs really breaks the mood of the whole album. While "To Helen" is all right, doing "The Haunted Palace" (one of Poe's best shorter stories I think) as a mid-tempo tepid rocker approaches blasphemy. While the instrumental touches underneath the speakers on the other tracks are used for atmosphere or emphasis, having these two "songs" show up in the middle is a little too jarring. It breaks the mood that had been created. Next you have Jeff Buckley doing "Ulalume". His voice gives the piece kind of an elfin grace. It also injects a large portion of regret and dread into it. Then comes the 2nd-longest piece on the album, Dr. John's reading of "Berenice". I want to like it more than I do. But the good Doctor (whose music I love) has a heavy New Orleans accent, and for me, this got in the way of a Poe story I wasn't too familiar with anyway. Debbie Harry and The Jazz Messengers do "The City and the Sea". This was another I just couldn't get into. It changed its faces so much. It's scale is admirable, but for me it destroys the image in my mind I had about that Poe poem. Marianne Faithfull comes back for a reading of "Annabel Lee." Remarkable. She obviously enjoys the wistfulness and sadness of it. Then there's the other piece I was waiting for, "The Masque of the Red Death," my favorite Poe story. Gabriel Byrne has a great voice, but it was a botch recording it. The producers use the same kind of echo from Walken's reading of "The Raven," and I think it hurts it. This was one where just a simple, closely-miked reading (without effects) would've been enough.

closed on account of rabies by Karen R. Lindquist (Boston)

5 Stars
August 12, 2009
wow. Amazing, iconic artists reading the amazing iconic Poe set to music and sound effects. I just love it. This is the best Poe has ever been for me. Highly recommend it to anyone.

If you find a copy of this grab it up quick! by Thomas Holland Bonner (Columbia, SC)

5 Stars
May 10, 2009
I LOVE this album. I was actually working at a record store when it came out and snatched it up quick. Then several years later, after it had apparently gone out of print, I loaned it to someone and have never seen it since. Dr. John reading Beranice, Iggy Pop reading tell tale heart are some of the high points but my absolute favorite was Gavin Friday reading For Annie... definitely some haunting, beautiful moments on here. Only downside is that some of the "song versions" dont work all that well... still definitely worth getting!

A masterful interpretation by Lookingatwords (St. Louis, MO USA)

5 Stars
June 26, 2005
There isn't a child who grew up in this country who hasn't been influenced, in one way or another, by the poems and short stories of Edgar Allan Poe. Or writer or producer or musician, for that matter, it seems. If we have one thing in common, one little shared bit of ourselves, it may be a love (or at least respect) of Poe - his irony, his forboding sense of things not really the way they seem, his ability to look not only into the eyes of us all, but into our dreams, our nightmares, our inner, hidden secrets. That was his talent. Musical producer Hal Willner knows it. The beat poet Allen Ginsberg once told him in passing, "Everything leads to Poe." And seeming to follow that lead, Willner ushers everyone and everything he can think of into his project - "Closed On Acount Of Rabies" (the title is based on a new theory that Poe may actually have died of rabies instead of the alcoholic debauchery that is a major part of the Poe legend) features the talents of varied performers such as Marianne Faithfull, Christopher Walken, Diamanda Galas, Iggy Pop, Ken Nordine, Jeff Buckley, Dr. John, Deborah Harry, Gabriel Byrne... Ginsberg was right. The disc is beautifully produced. From Marianne Faithfull's opening reading of "Alone," a moving, mood-setting short poem that sets the stage and establishes the late poet's sense of isolation (she returns later to read the famous "Annabel Lee"), the listener knows a special treat is in store. Careful, subtle sound effects and musical accompaniment accent the performances with added drama. Actor Christopher Walken's reading of "The Raven" is right in synch with the quirky characters he's known for portraying in film, and Iggy Pop delivers "The Tell-tale Heart" with just the necessary overly-controlled restraint the story demands. Other highlights of the two disc set include Ken Nordine performing the poem "The Conqueror Worm" and full-length renditions of the Poe classics "The Black Cat," read by Diamanda Galas, a particularly hypnotic "Berenice" read by Dr. John and "The Masque of the Red Death" read by Gabriel Bryne. Oddly, the discs' weaker moments come from musical interpretations of "To Helen" and "The Haunted Palace," sung by Ed Sanders, and a strangely uninspired "The City and the Sea," sung by Deborah Harry and the Jazz Passengers. One of the most entrancing performances comes from Jeff Buckley as he reads "Ulalume." When he reads "...I replied, 'This is nothing but dreaming, let us on by this tremulous light - let us bathe by this crystalline light... Then my heart it grew ashen and sober, as the leaves that were crisp'd and sear, as the leaves that were whithering and sear; and I cried "It was surely October on this very night of last year that i journeyed, I journeyed down here, that I brought a dread burden down here, on this night of all nights of the year ; oh what demon has tempted me here?..." it's clear that Edgar Allan Poe's influence remains stong, true and unabated to generation after generation of creative talents.

What a spectacular period seven assembly this could be!! by ROGER L. FOREMAN (Bath, Maine)

5 Stars
February 26, 2002
These kinds of tribute albums are always tricky, even when they are just dealing with a musician's body of work. What Hal Willner has done on this two-CD set is amazing, though. To try to collect the pieces from Edgar Allan Poe's eclectic catalog of stories and poetry, find the write artists to read, sing, and/or interpret those works, and then to package it all appropriately was a major feat. Every track is not a five-star work, but the collection earns the five stars for sheer effort and uniqueness. From the cover art by Ralph Steadman, appropriately weird and spooky-looking, to the fabulous liner notes by Charles Baudelaire and Willner, himself, this CD set has been an indispensable part of my Grade 11 English (American Literature) curriculum since its release.Everyone is going to have his or her favorite tracks/stories/poems, but here are mine:1. Gabriel Byrne reading "The Masque of the Red Death" -- great accent, cool music and background noises; nicely understated, Byrne lets the story tell itself.2. Diamanda Galas reading "The Black Cat" -- smoking five packs a day does pay off for some people. . . . I almost wet my pants when I first heard her read the opening line of the story.3. Dr. John reading "Berenice" -- not the typical Poe selection, very cool New Orleans accent and grovely voice.4. Iggy Pop reading "The Tell-Tale Heart" -- classic story, great voice and interpretation.5. Marianne Faithfull reading "Alone" -- again, great voice and creepy effects.I'm leaving out Ken Nordine, Jeff Buckley, and Christopher Walken, all of whom turn in outstanding performances.Weak points aside, this CD earns five stars for the total package. The cover art is very cool, the liner notes are very interesting and informative, the sound production is superb, and a vast majority of the renditions maximize Poe's eccentricities and creepy weirdness. The musical artists and actors put themselves somewhat at risk with these alternative performances, and their risks pay off big time! If you are a fan of Poe, this is a must-have CD set. If you are a fan of any of the performers, you likely won't be disappointed either. If you are just a fan of creative and alternative works, this is well worth a try. Everybody wins!

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