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| View Larger Image | Substrata | Audio CDby Biosphere
| List Price: | $15.98 | |
| | Binding: | Audio CD | | Studio: | Thirsty Ear | | Release Date: | October 21, 1997 | | Sales Rank: | 209,477th |
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TRACK LISTING | Disc: 1
- Track 1: As the Sun Kissed the Horizon
- Track 2: Poa Alpina
- Track 3: Chukhung
- Track 4: Things I Tell You
- Track 5: Times When I Know You'll Be Sad
- Track 6: Hyperborea
- Track 7: Kobresia
- Track 8: Antennaria
- Track 9: Uva-Ursi
- Track 10: Sphere of No-Form
- Track 11: Silene
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EDITORIAL REVIEWS | Album Details Debut Release for Japan to Contain Exclusive Bonus Tracks. No Additional Information Available at this Time. |
CUSTOMER REVIEWS (Average Customer Rating: 4.5 based on 29 reviews)
| A beautiful album, although not among my favorite Biosphere by The Pitiful Anonymous (the Acres of Skin) 4 Stars May 07, 2009 So much has been said about Biosphere's "Substrata" that I've held off on reviewing it until now. It's by far Geir Jenssen's most well known work, and the perfect example of his "arctic ambient" style. I do find it to be less interesting than later, more original records like "Dropsonde" for this reason - the sound you'd expect, hearing the words "arctic ambient", is probably a lot like what's here, even if you've never listened to anything along these lines before. That said, it's hard to deny the flawless flow and listenability of this record, especially in the first 7 tracks.
And indeed, the latter is a lot of what Biosphere has had going for him all along - listenability, memorable tracks and melodies. These are not slow moving, formless or lengthy soundscapes... indeed, they are almost "songs". They have obvious melodies, created by guitar and shimmering synth. Sure, muffled, peaceful drones are a constant in the background, and everything's been given a thick coat of reverb, but really, nothing here feels alien, huge, deep or truly mysterious in that way only space ambient can. It's as `pop' as ambient gets. It's as if Jenssen simply wants to remind of us of a specific environment, rather than take us there and completely immerse us in it.
It's up to the listener whether or not that's a problem. Indeed, such an experience of immersion can be unpleasant or frightening, and yes, on "Substrata", the melodies and sounds themselves are gorgeous. For you, is ambient music about conventional elements, such as melody, used in an ambient context? Or will obvious melodic patterns just make the songs too easy to memorize and jar you out of whatever zen-like state you hope to achieve? Each listener will have different answers to these questions, but suffice to say, for me the latter is often true.
Biosphere's music seems incredibly calculated. The thematic consistency is sometimes forced rather than natural. It never allows itself to simply drift or hang in space, with the exception of some of the more adventurous final tracks, such as "Sphere of No-Form". It's here that the feel of the album is allowed to become a little more ambiguous, no longer so obviously comforting. A little darkness creeps in around the 8th track, "Antennaria" (it's actually a little jarring, but starts to make the sense with the following tracks), and lives there for the rest of the running time. Then, 40 minutes into the disk, Jenssen has nothing to prove. The loops are less catchy, the songs become worlds. We are immersed in "Substrata". Pity it took so long.
In conclusion, "Substrata" DOES relax me, and it's very pleasant to listen to. Does it take me somewhere? Sometimes. Does it take me to the arctic? Well, it certainly feels "cold". It's a great album, but I find myself wondering what about is supposed to blow me away. If you're new to ambient music, I recommend "Substrata" whole-heartedly. If you're already into some of the `deeper' stuff out there (Steve Roach, Robert Rich, Lustmord), "Substrata" may be a little bit of a letdown, what with all the hype. If you're already into Biosphere, you've probably heard it already. If you haven't, well, it's a solid release, but I'd pick "Dropsonde" over it any day. 4 stars.
| | it deserves its cult status by dennis murphy 5 Stars March 01, 2009 "Biosphere" is a recording that shows up on the internet in several listings of best and favorite ambient albums. In at least one list I have seen it as #1. This album has well-earned its popularity among ambient fans. It has an excellent mixture of yin & yang. There are moments of unease, melancholy, careful happiness, welcomed darkness & "TIMES WHEN I KNOW YOU'LL BE SAD" my favorite piece. This piece uses the guitar intro to the song "THE DAY ISN'T LONG ENOUGH" by the Four Freshman.
| | Is there anything better than this? by Jens (Montréal) 5 Stars December 22, 2008 This might read like a bit of hyperbole, but this may be the best album I've ever heard. (See, it does sound unlikely.) Nonetheless, I've been listening to this CD for several years, and each time it penetrates more deeply. I have since collected almost all of the works by Biosphere, but none match the depth of "Substrata"; the next best by Biosphere is the attempt at a follow-up to this work: "Substrata 2." When I first heard "Substrata," it sounded very familiar, like a half-forgotten dream or childhood memory. The only work by anyone else in this genre that comes close (in my humble opinion) is Robert Rich's shamanic journey, "A Troubled Resting Place" (though his music generally has an earthier, darker feel). "Substrata" is "music" for low lights and a willingness to go with Biosphere dream imagery. Highly recommended.
| | Wonderful Ambient Work of Art by M. D. MCGINLEY (United States) 5 Stars May 15, 2007 I am a devout listener of ambient/electronic/new age music since 1987, when my first album of this genre was Steve Roach's "Dreamtime Return." I first heard Biosphere on channel 932 Comcast, Music Choice, when they played "the things I tell you" from substrata. At first, I couldn't believe what I was hearing, because I was so used to the mundane commercial tracks of mainstream artists. I tried to find this disc at my local music store, only to be disappointed that it was out of print. I found it on Amazon.com and put it in my shopping cart.
I received it today in the mail. I was like a little kid with a new train set. The pure genius of this album comes through with the first track, "As the sun kissed the horizon," where instantly I was teleported to the year 2341, or some time in the distant future. I actually felt like, finally, some music that was so far ahead of its time that I could become instantly attuned to the vibrant, melodic vibrations and flowing waveforms, and ereatheral pings that instilled the vastness of space, not unlike John Serrie's "And the stars go with you". By the time I got to track 8, "Atennaria" I forgot about the Suns/Spurs basketball game I was watching--20 minutes went by like it was ten seconds--where I reached the dark but haunting beauty of "Uva-Ursi." "Sphere of No-Form" and "Silene" have no sufficient words to describe the utter beauty and soundscape of the composition.
My album has the last track as "Silene" but the list above here has it as "Silence." Is this a typo on the production side, or does Amazon.com have it wrong and assume that it is "Silence" and not "Silene"?
There is just no way to measure the quality of this unsurpassed ambient sound recording. And it's no coincidence that my birthday is the release date. I am just so blown away by the technological proficiency of producer Geir Jenssen that I now have to bump Tangerine Dream, John Serrie and even my prior favorite Steve Roach down a notch, surpassed only by "76:14" by Dedicated. "Substrata" will probably be too hard to top, when your best work comes out first, so I will cherish it. The sheer brilliance emanating from my speakers right now is amazing to say the least.
Wow!
| | Icy Xstacy: Sets The Standard For Atmospheric Ambient! by Rashea Lawing, book collector (Maryland-DC area) 5 Stars April 20, 2007 Granted I have just began my journey through the ambient music genre, but this was one of the first artists I checked out, and boy am I glad I did! Biosphere in general is my favorite artist in the genre of ambient/space music or whatev they call it. This album has got to be the number 1, with the only serious competition coming from "Stalker" by Robert Rich and Brian Lustmord. I usually dont write reviews and I pretty much believe the people who do are usually loner dorks, but these guys deserve it!
This is the next best thing to a real expedition to Antartica, my dream vacation to Iceland, or being rich enough to enjoy the new space tourism craze!
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SIMILAR PRODUCTS |

| 76:14 by Global Communication
Understood in any language, across any time zone, Global Communication tolls for the human spirit which knows no boundaries. As one of the most significant releases to cross the ambient currents of the '90s, 76:14 places itself alongside benchmark electronic releases from Brian Eno, the Orb, and the Future Sound of London. These synth-dominated ventures allow the armchair traveler to indulge in atmospheric wanderings which suggest virtual galactic discovery. But often enough the textured beats...
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| Colourform by Higher Intelligence Agency
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| Substrata 2 Geir Jenssen (Composer)
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| Ambient 1: Music for Airports by Brian Eno
Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.
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| Stalker by Robert Rich & B. Lustmord
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